Through many years of school, researching, editing, and writing, I’ve learned a lot about the world of writing. Here are 15 of the most common mistakes I see writers make. (Also 15 examples of a book or author I think exemplifies the correct way to do these.)
1. Telling, Not Showing.
People read because they want to fall into a new world, be distracted by their own, experience something they haven’t, or learn something new. If they wanted a straight forward list of facts, they would go to Wikipedia. Whether you’re writing nonfiction or fiction, you need to pull the readers into the story. They should be completely enveloped by your world. Continue reading →
More so than any of my other children, Peter and I enjoy each other. We laugh and cook and clean and I even teach him some of my potions, though to truly work they need a bit of my magic. He helps me through grieving when Lionel, Abigail, and Theodosia leave. He becomes close with Abram, who is only a few months older than him, and helps me with the two girls I save a few months apart a year after he came home with me. Peter and I explore The Wood and meet all the creatures that loan me their gifts and strengths. He listens to my teachings and even comes with me once when I go to save a child. That one ended up refusing me, though. That doesn’t happen often, but enough to make me question everything I do. Continue reading →
I can’t take it anymore. I need it to end. Please.
I sit up in bed, the cry from two towns over echoing in my dreams. It’s a young boy, about nine years old, sitting on the floor of his tiny bedroom. He’s crying and bleeding, listening to screaming in the next room. Usually, I would wait a week and assess the situation and get my current children prepared before leaving, but today is different. If I don’t save this child, he will take matters into his own hands. I can feel it. Continue reading →
The way I see it is there are three types of “inbox exs”.
The lonely inbox ex. He probably wants to hookup or even get back together. He realizes he lost something great and now regrets his life. He also can’t get any other girl to smile at him so he’s feeling small and lonely. It’s sad.
The angry inbox ex. He’s victimized himself, made you a “b*txh*, and told all his pickup truck friends that HE broke up with YOU. In his message, he makes use of all the curse words he’s learned in his however many years on earth and let all his “feminazi” frustration out on you. It’s also sad.
The apologetic inbox ex. He’s moved on, realized though you may have damaged his pride, he may also have hurt you. He has a new girlfriend but his conscience is keeping him up at night. He’s in your inbox to make amends. This one is no longer sad.
“Don’t worry, keep trying!” “You know Harry Potter was rejected eleven times before it was finally accepted!” “You’re a great writer.”
Rejection is the number one worry, fear and warning when someone desires to be a writer. The process of publication is a torturous, tiring and time consuming one. You’re work must be pristine, void of mistakes, sellable and original. A typo and you’re out. A cliche and NIX. Crappy cover letter? Don’t even bother submitting. Never been published? Sucks to suck!
The more you submit, the better chances of being accepted but also the more rejection letters you receive, and soon they start piling on themselves. Soon, the gracious rejection letter starts to sound like this: Continue reading →
As a writer, you have to create your own working environment. Setting aside the work you do to actually get paid, you still have to make time for your craft. And this work can’t be a second thought, or something you do in bed right before you go to sleep.